Computer art, however, was not entirely met with positive feedback, as most works of computer art was left without credit (from well known artists) due to an anti-technology sentiment from counter-culturalists of the 1960s-1970s.
Lillian Schwartz's Pixillation was an image made entirely out of pixels, consisting of abstract imagery.
John Whitney's Catalog was a short film made by using outdated military computer equipment.
William Letham's The Evolution of Form is a series of complex images of three denominational objects which are "sculpted" by the computer.
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